Wednesday, January 15, 2014

The Movies of 2013

Well, after a drop in the number of movies seen each year, 2013 saw an increase in viewing. Part of this can be attributed to Netflix, even though they’re usually not very up to date, and part of this can be attributed to more that interested me and, for some reason, more time to see it.

In 2012 I saw only 40 movies, but 2013 saw that jump all the way to 61, although there are some provisos to that number. While normally I track only movies from the current and previous year (to allow for the time it takes some to make it here to the backwoods), this number does include a few from years previous, including one from many years ago. Suitable notation will be made so you know which is which, and why. 46% of the movies I saw were on the big screen, but a crapped-out TV saw us move up to a 55 inch screen in the TV room, so that with a decent surround sound system does help the viewing experience.

Interestingly, but not surprisingly, I seem to have only purchased one BluRay during the entire year. I know I would like to start picking up Criterion discs, but have yet to commit to it. Otherwise, most everything I want to watch at home I can find online.

And so, here’s the list. As usual, any movie I saw in the theatre will include an asterisk (*), and if a movie is not from 2013 I will include its year of release. This time out I’m also telling you what in what country it was produced. When you get to the entry about Lore you’ll see why this interested me. As well, this year there are some 2012 movies I won’t rule out of my top 10 list, strictly based on whether or not I even was given the chance to see them in 2013. As a final note, let me remind you I am not a critic, I have a life, and therefore miss a lot of films. So this list is only from my tiny little corner of the world.

*Django Unchained (2012) US - Typical sharp, stylish Tarantino, with plenty of violence and, being a revenge fantasy, loads of improbabilities. Not quite as ahistorical as Inglorious Basterds, and not quite as good, but still enjoyable.

The Amazing Spider-Man (2012) US - It worked well for what it was, the old comic geek in me appreciated that Gwen Stacey was there at the start instead of Mary Jane Parker, but I do question why it had to be done this way so soon. Still, the hints of the next movie look interesting.

Headhunters (2011) Norway/Germany - A crime thriller with Nikolaj Coster-Waldau (of Game of Thrones fame). Tense and smart and I do recommend seeing it before the supposed American remake shows up.

Safety Not Guaranteed (2012) US - A small indie film about 3 magazine employees looking to interview the guy who placed an ad seeking a companion for his time traveling. There was a side story I at first question but which ended up being right for the movie, and the ending is almost as perfect as any ending on this list could possibly be.

Seven Psychopaths (2012) US - I didn’t mind it, but it seemed a little too caught up in all its cleverness. Sam Rockwell plays unhinged quite well, but to see him at his best there was another movie this year to watch.

Wreck-It Ralph (2012) US - Absolutely delightful. The voice casting was spot-on, the story heartfelt and the characters and animation tremendous.

*Silver Linings Playbook (2012) US - I enjoy David O. Russell films, and this one was no exception, but I never know exactly where he’s going to take me. I suppose that could be good, but for a movie about two damaged individuals, this one seemed to be fairly tightly controlled. Not antiseptic, but like a story that knew all the beats it had to hit and made sure it landed on them hard.

*Pacific Rim (2013) US - Sue me if you want, but a giant robot vs giant monster movie with shots like the one of Idris Elba coming out of the top of his Jaeger with the sun shining down from behind him like a halo is about nothing but iconography, the images of movies and heroes and our fears, and it did almost everything right.

*Man of Steel (2013) US - Dizzying, numbing, with a disappointing finish. That said, the scenes with Kevin Costner as Pa Kent were real and sometimes heartbreaking. He seems to have reinvented himself, and I hope it holds.

*Star Trek Into Darkness (2013) US - Last year it was Prometheus, this year the movie that made me very angry was this one. “Hello? I know we said we wouldn’t do it because it would mess with history and the time stream, but I’d like to place an intergalactic direct call to the original Spock so he can solve a plot point for me with me having to do any actual, you know, work on the story.” See also: white guy playing a Sikh character. Also see also: Klingons as an afterthought. Also also see also: regurgitating only some parts of an old plot from the series, rather than finding something original. Argh. Now I’m getting angry again.

*Iron Man 3 (2013) US - Comic book geek I may be, but I have no history with the Mandarin, so what happened with his character didn’t bother me. That said, that particular sleight of hand did feel like a bit of a cheat. The good news was this was still a good fun punch/blast ‘em up.

*Mud (2013) US - This movie was a pure wonder. Superb acting, tense filmmaking, a marvelous cast, great dialogue.

*42 (2013) US - A decent sports movie with a unique (for him) turn by Harrison Ford, although at the same time the whole thing is still very much of a piece with almost any other sports movie.

*Room 237 (2013) US - A very strange documentary about people with conspiracy theories and strange beliefs about Stanley Kubrick and The Shining.

*The Shining (1980) UK/US - And while I saw this when it first came to theatres, I include it here because I saw it as a part of a double bill with Room 237. Very nice to be able to see it on the big screen and in that company.

*From Up On Poppy Hill (2013) Japan - Another marvel from Miyazaki. This one was no fantasy, unlike so many of his others, but grounded in the reality of a post-war Japan leading up to the Tokyo Olympics. It delights me to report that this is Brennan’s (who is 14) favourite of all of the Studio Ghibli films.

The Last Stand (2013) US - Schwarzenegger is back, and doing a fine job of making fun of his age and decrepitude while still being a tough guy. A very good actioner.

Mama (2013) Spain/Canada - A decent enough horror film with an ending that just pissed me off no end.

The Bay (2012) US - Barry Levinson, you helped create the greatest TV crime drama of all time, and you did some decent things with this, but found footage? Really? Still, a tense enough thriller/horror flick.

End of Watch (2012) US - A good cop drama, although somewhat episodic, which disturbs the flow a few times.

Premium Rush (2012) US - I was surprised how much I enjoyed this one. The bike-messenger-as-savant trick worked well for me.

Jiro Dreams of Sushi (2011) Japan - A lovely little documentary about a top sushi chef in Japan. Well worth watching.

Salmon Fishing in the Yemen (2011) UK - The slightest of slight. Enjoyable, I suppose, but it didn’t take me anywhere.

The Hunter (2011) Australia - While the tension was real and the acting tremendous, the conceit, not only of the existence of the thylacine but of why it needed to be killed, was a huge, ridiculous stretch.

*Kon-Tiki (2013) UK/Norway/Denmark/Germany/Sweden - Interesting fact: they filmed this in both English and Norwegian, doing separate takes for each. Good movie, about a story that once captured our hearts and minds but which most of us have forgotten about.

*World War Z (2013) US - A whole lotta stupid going on. Yeah, it was tense and exciting, but so much of that was manufactured in ways that took me out of the picture.

*Trance (2013) UK - A Danny Boyle thriller, which means there are going to be moments of sheer bliss and moments of undeniable silliness as he asks you to buy into things.

*The Way Way Back (2013) US - Outstanding movie. Sam Rockwell deserves an Oscar nod for Best Supporting Actor. Fun and sweet and moving and peopled with all sorts of interesting characters.

*Much Ado About Nothing (2013) US - Very well done and enjoyable. But now I want to go to Joss Whedon’s house.

*Skull World (2013) Canada - A strange and quirky documentary about a guy who makes armor and weapons of of cardboard and then has battles with others who do the same. Unending childhood, in other words. It came as no surprise to note what his favorite type of music was.

*The World’s End (2013) UK - While not as crazy funny as the previous two Cornetto Trilogy movies (Shaun of the Dead and Hot Fuzz), this still worked very well, and even piled on more of the interactions between characters who had forgotten how to get along.

In the Loop (2009) UK - Funnily enough, I was out of the loop on this one, and didn’t even know about it until after James Gandolfini died. Very funny, very dark, and Peter Capaldi (whom I have liked very much since Local Hero) his so brilliant in it.

Oblivion (2013) US - A mediocre Tom Cruise SF movie with a premise that Moon did much better.

Into the White (2012) Norway/Sweden - A decent little film based on a true story, of Luftwaffe and RAF airmen forced to survive together in the Arctic. Rupert Grint, AKA Ronald Weasley, does a convincing Scouse accent.

*In A World (2013) US - I really liked this one, about a young woman trying to break into the male-dominated world of movie trailer narration. Funny and smart.

The Impossible (2012) Spain - Yeah, I know it’s white people suffering in a tragedy while surrounded by many non-white people also suffering, but it is loosely based on a true story. Decent, and it does flip things upside down a bit by having the natives do the rescuing.

*Gravity (2013) USA - Astonishing. This one pinned me to the back of my seat and didn’t let me up. Emotional and thrilling and exhausting, and a second viewing didn’t change any of that for me. There are few films I think 3D are ideal for, but this one was for sure.

This is the End (2013) USA - Funny and at the same time the sort of irritating that only comes from a bunch of guys using frat-boy humor to give each other knowing nods and winks.

Ain’t in it For My Health (2010) USA - An excellent documentary about Levon Helm, once the drummer for The Band, as he lives out the last of his life.

*Nosferatu (1922) Germany - Another event at the Roxy, the local repertory cinema, where they host a fundraiser with a silent movie, music supplied by members of the Saskatoon Symphony Orchestra. It had been a long time since I’d seen the movie, and I found if I set aside my 21st-century expectations, it still held up.

*Captain Phillips (2013) USA - Tom Hanks does a good job, and the Somali actors (who were not actors before this movie) were wonderful. I know this is one of those “true” stories that is heavily disputed, so I found it easier to watch this as just a fiction. Nice to see a thriller in which the protagonists are not relying on newly-found Rambo skills.

The Sapphires (2013) Australia - It seems obvious that Chris O’Dowd is set to play the same character in every movie he acts in, but I’ll give that he’s clever and likable, even when he isn’t supposed to be likable. Another fact-based movie that messes with the truth in the service of a supposedly better story, it is (mostly) light and good fun.

*12 Years a Slave (2013) USA - Everything good you’ve heard about this movie is true. So hard to watch in so many spots, this is nonetheless an amazing film with some incredible acting.

Monsters University (2013) USA - A lot of very good fun, and it almost recaptures much of what made the original so special. Sadly, there is no character like Boo.

I’m Not Scared (2003) Italy - I watched this based on a recommendation, and am here to tell you it was an astonishing find. Disturbing and tense and a very real look at how children react to outside pressures, this one needs to be watched.

*The Hunger Games: Catching Fire (2013) USA - Good, better than the first, but, as with the book, I find myself disturbed by Katniss’ lack of agency at the end.

*All is Lost (2013) - Robert Redford is a wonder in this, a very quiet and draining movie that works hard to break a lot of conventions. The ending will leave you thinking, too.

Europa Report (2013) USA - A very smart science fiction film with actual, you know, science. Especially astonishing considering how cheaply it was made.

Frances Ha (2012) Netherlands - Not sure why the listing says this is a Dutch film, since it’s all Americans and mostly takes place in New York. Funding, I guess. The title character, as played by Greta Gerwig, is likable and more than a little floundering in her life. A nice story about normal people, with normal lives.

The Trip (2010) Greece - Same deal with place, since this is clearly a UK film. Funny and wry, and now I’m obsessed with Rob Brydon’s Tiny Man Trapped in a Box.

Blackfish (2013) Iceland - A disturbing documentary about captive Orcas, especially Tillikum, and Sea World and the industry it has created and is fighting very hard to hang onto.

*Philomena (2013) USA - But really UK. I liked that this film had some smart, adult things to say about the nature of faith, from both sides of the divide. A fine film.

Stand Off (2011) New Zealand - But really Ireland. Don’t let the poster fool you, this is a clever little film with Brendan Fraser doing what he does well, albeit having aged a bit. Plus, it has Colm Meaney!

*The Hobbit: The Desolation of Smaug (2013) USA - I lost count of the times where this movie played like a video game. But still, I got what I paid for, what I expected, and therefore had a good enough time.

The Short Game (2013) USA - A fun and delightful documentary about young children (7!) at the world championship of golf. You don’t have to be a golf fan to enjoy this.

Oldboy (2003) Korea - Finally. And every bit as disturbing as I’d heard.

Do the Right Thing (1989) USA - Also finally. I can’t believe it took me this long. And Radio Raheem was Robbie from the Raimi Spiderman movies!

Lore (2012) Australia - All in German, about the children of an SS officer trying to get across the country to their grandmother’s house at the end of WW2. But directed by an Australian. Very good movie, and the payoff at the end is extremely powerful.

The Angels’ Share (2012) UK - For director Ken Loach this is something of a trifle, but still an enjoyable one. I of course have a weak spot for anything about single malt.

*American Hustle (2013) USA - Tremendous acting, including a nice surprise appearance, and some of director David O. Russell’s strange little quirks make for a very good movie, but I always feel like he’s reaching when he throws in a happy ending (see: Silver Linings Playbook).

Stories We Tell (2012) Greece - But really Canada. And why the hell couldn’t she find financing here? This documentary, made by Sarah Polley and about the search for her real father, is incredible. There’s a scene near the end when the camera revolves through most of the people involved, focusing in as they think on their lost friend/spouse/mother, heartbreaking not just for what it includes but for what it doesn’t.

I tried to watch Oz the Great and Powerful but couldn’t stomach it. Just awful.

And so to the top 10 of the year. Remember, while this is primarily 2013, if a 2012 movie is included, it's because there was no way for me to see it in its release year. If you have problems with the order of 1 and 2, keep in note that this is strictly because of how the first one hit me. I'm not saying it's a more important film; I'm saying it had a bigger impact on me.

1. Gravity
2. 12 Years a Slave
3. The Way Way Back
4. All is Lost
5. Mud
6. From Up on Poppy Hill 
7. In a World
8. Stories We Tell
9. Lore
10. Frances Ha

ps I made a mistake, forgetting all about Mud and All is Lost, so some movies have been moved around, and American Hustle and The Short Game displaced.

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Thursday, December 12, 2013

News From Back in the Day

Today the mail brought a bunch of goodies for my ongoing @TrapperBud project. For anyone not aware of this, I am tweeting the diaries of my grandfather, "Bud" Murphy (yes, Bud, even though at the time he was called "Spud." It's what we knew him as) from his time as a trapper in the Northwest Territories. The current set of entries are in late 1929.

Anyhow, a bunch of diaries from my father, uncle, great-uncle and second cousin arrived today, via my dad, as well as some ephemera. While the diaries lend themselves nicely to Twitter's format, some of these items may not. In those cases, when appropriate, I will put them up here.

The first is an article from either the Edmonton Bulletin (which died in 1951) or the Journal. It's been clipped, and nowhere do I see the date. However, I feel it safe to say it was written some time in the late 1930s. There are a few clues to that assumption. First, Grandpa is mentioned in the article, and he was in the north for pretty much all of the '30s. Second, the article seems to have been on the second page of the paper, and what remains of the front page mentions Edmonton mayor John W. Fry. Wikipedia tells me he was mayor from 1937 to 1944. Also on the front page is a British United Press article dated May 21 from Vancouver entitled "Unemployed Sit-Downers Still Control," about an "efficiently organized army of unemployed" engaged in a sit-down strike. So, the Great Depression. Since elections were in November, this would be 1938 or 1939. I'm guessing 1938.

The unnamed author is breathless in his statements about just how barren and alien the north must be, so much so that I'm surprised Grandpa hung onto it for all of his life. He was always sure to mention how wild and bare and dangerous the north was, sure, but never without telling me about how great it was as well. He respected it

As a point of interest, Edmonton in 1938 had a population of 88,887, as opposed to a metropolitan area that sits at over one million today, over 800,000 of them in the city itself.

BARREN LANDS TRAPPERS LIKE LIFE IN THE NORTH
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No More Exciting Than Clerking in Store Hardy Men Declare
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Running a trap line in the barren lands is no more exciting than clerking in a city store, not nearly so dangerous as trying to cross a city street, and is a darn nice way to earn a living if you don't mind doing without a few comforts, is the unanimous opinion of eight barren lands trappers who arrived in Edmonton Friday afternoon in a Mackenzie Air Service plane piloted by Archie Vanhee.

The party, consisting of M.P. "Matt" Murphy, and his son, C.M. "Spud" Murphy, George Magrum and his son John, A.J. Knox, Allan "Skipper" Stewart, J.W. Cooley, and John "Tin Can Johnny" McKay, have spent the past winter, and many others, trapping in remote parts of the barren lands about 200 miles north and east of Fort Reliance.

TREKKED 400 MILES

To reach the plane at Fort Resolution, the men trekked by dog team more than 400 miles across the dreary, frozen wastes of the barrens, bringing their winter catch of furs on sleighs with them. The country in which they trap is so remote that even the Indians and the Eskimos shun it and, except for wolves, foxes and caribou, these white men are its only inhabitants.

The two Murphys spent the winter trapping along the Back river, within 60 miles of the Arctic Circle. The Magrums trap north of Aylmer Lake, Stewart was trapping at Muskox Lake, as does Cooley, while "Tin Can "Johnny" McKay traps far to the eastwards, on the eastern side of the Thelon river, beyond the game sanctuary. Knox traps north of Aylmer Lake.

BARREN WASTE

The country in which these men trap is a barren, rocky waste, traversed by numerous little streams and lakes. Beside these lakes grow small patches of scrub willow, and it is upon these patches of willow that the trappers depend for their supply of fuel.

In order to live in the barrens during the long cold winters, when the icy wind howling out of the north, drives even the foxes and wolves to shelter for days at a time, these men spent two months each fall preparing for the winter's work.

Cabins, usually canvas topped mud huts, are set up at strategic points along their trap lines. Then, for nearly a month, the trapper busies himself laying in the winter's supply of fuel.

Frome (sp) the sparse willow thickets, the men cut branches of willow -- usually less than half an inch in diameter.

ADEQUATE SUPPLY

These willow branches are piled onto the sleighs and skidded across the barrens behind a team of six or seven dogs. Sometimes they have to carry their wood as far as 50 miles. And they must be sure that an adequate supply is laid in, because a man must have fire to live in that frozen land. For weeks he will cut and bundle willow roots and shoots, and haul them to his cabins and pile them where they will be readily accessible.

After the supply of wood is laid in he must lay in a supply of meat. There must be not only food for himself, but food for his dogs, and bait for the traps. Fish are plentiful in the streams and lakes, and the country is the natural home of caribou. But it takes two or three weeks to catch enough fish and shoot enough caribou to last through the long winter.

REPAIR EQUIPMENT

The traps and equipment must be repaired and put in good working order. Supplies of coffee, tea, tobacco and canned butter, bacon, flour and other supplies brought in from Fort Reliance.

When these things are finished the trapper is ready for the winter. Then he walks miles behind his team visiting his traps marked by mounds of snow. Foxes and wolves are taken from the traps and skinned, and the skins stretched. The trapper is a busy man.

LIVE THERE BY CHOICE.

But these men of the north would rather live there than anywhere else. "We live there by choice. We think that trapping is as good a way to earn a living as any other. We don't mind going without inner spring mattresses and the comforts of home. And we prefer being up there where we aren't bothered by salesmen, politicians or reckless drivers. And after a short holiday we are all going back," stated Stewart -- known to these men as "The Skipper" -- and the others nodded their agreement. They don't waste words.

Monday, March 25, 2013

Words of Others on Steubenville

I've been collecting a variety of pieces on the rape, bizarre citizen reaction, and ensuing court case in Steubenville. Items for my teenaged boys to read. They're good kids, and I know damned well that Jo and I have taught them well enough to know what's Right and what's Wrong, and how to treat women, girls, men, boys, and of course animals.

But I also know that they are teenaged boys, and I know that sometimes, usually the most inopportune times, the ol' brain cells take a short holiday. Just because I've raised them well up to this date doesn't let me off the hook; it's an ongoing job, and while I trust them to make me proud, I also trust them to sometimes follow along with the crowd and not realize what they have done until after the fact. The good news is, that sort of action usually involves something much more minor than sexual assault, rape, or even sexual harassment.

I was going to link to these pieces one by one via Twitter and Facebook, say something short and sweet, and then stand over them as they read. But today I read something that made me feel as close to physically ill as reading anything has made me feel in many years. And so I thought, Yes, I have to share this with the boys as well. Because they need to understand that shit can be smeared by people who are ostensibly intelligent, who are lucky enough to have some sort of platform, and who are so full of themselves that they would never condescend to accepting any opinion that might damage their precious worldview.

With that in mind, I give you the latest idiocy from Barbara Amiel, in Macleans', which likes to pretend it's a news magazine in the spirit of Time, I suppose. Go read the article, and then, once you've shaken clear all the awful images that come to mind, come back and think with me on this: how can someone, even someone so clearly abhorrent as Barbara Amiel has apparently become, simultaneously take such repulsive stands on rape, on child pornography, on assault, and even say a few good words about society degrading because of all sorts of things she disagrees with. It's a grab-bag of horrid, classist, full-on disgusting declarations, all neatly wrapped up in one simple package. The editors at Macleans' should be ashamed, and I sincerely hope they receive letters from large numbers of people cancelling their subscriptions.

So now we need to wash away the bad taste in our mouths. How about we start with the teacher who taught her students how not to rape? Yeah, that's a good one. Encouraging. And you see what I mean about teen brains? Sometimes the kids are taught wrong from the start, but sometimes they just don't put two and two together right away, but give them a chance, and the majority of them will figure it out.

Tabitha Southey had some good (and sad) things to say about this in Saturday's Globe and Mail. In the same paper Elizabeth Renzetti wrote very well about helping our kids to have the bravery to act, rather than just watch, and even laugh along.

And, no surprise, John Scalzi wrote a couple of excellent blog posts on the matter, "Two Simple Observations, Regarding Women," and a bit more on Steubenville, which includes these two key rules, which make sense and therefore frustrate me to no end that they have to be repeated:

  1. One’s own poor judgment does not excuse the poor judgment of others.
  2. Nothing excuses rape.
Finally, if you haven't seen it, watch this short video. There have been plenty of memes going around on Facebook and elsewhere lamenting the fact that women starting university often have to be taught about how to avoid rape or sexual assault, and yet there is little effort being made to tell men instead, Well, no, that's not a good thing to do. So here we have an answer, as small as it might be.

If you have boys, I hope that some day you will find the appropriate time to discuss these issues with them. If not, this is all still worthwhile, for all of us.


Thursday, January 10, 2013

The Movies of 2012

Another drop in movies seen this past year, which on the face of it seems odd since by most accounts 2012 was a far superior year to 2011. But, you know, life. The kids keep me busy, work keeps me busy, writing keeps me busy, and 2012 was the year I finally got an Apple TV and hooked up to Netflix, so there is that. First thing accomplished upon that purchase, actually, was to find the delicious goodness we'd been missing with Downton Abbey. Cramming in all of those episodes takes time!

In 2011 I saw 48 movies, which was a drop from the year before. 2012 only brought me to 40 movies, two of which were significantly older than the usual fare, but which are listed because I saw them on the big screen. 44% of the movies I saw were in the theatre in 2011, as opposed to 58% in 2012. If I were to guess as to why this is, I'd say that the lack of nearby video stores, coupled with Netflix being readily available and yet not carrying many truly current movies are the main reasons. That said, it made sense to see many of these movies on the big screen, something I can't always say.

Here's the list. Any movie seen in the theatre will include an asterisk (*), and for those movies not released in 2012 I will include their year of release.

*The Grey - I went into this ready to ridicule it for making wolves into the bad guys and feeling like it was probably going to be Sarah Palin's ultimate wet dream. I came out astonished to have seen something of a paean to atheism, to say nothing of a quiet yet brutal thriller. And the best plane crash since Castaway, possibly even better.

Chronicle - While I tire of the found footage movies still being flung our way, this one wasn't too irritating. Decent, even, although whiny teens no longer occupy a soft spot in my heart, being the father of teens now.

*In Darkness - A Polish movie, based on a true story, of Jews being hidden in the sewers by a local man who initially starts out only thinking about money, but soon grows into more altruistic reasons. Outstanding.

*The Secret World of Arietty - Out in 2010 in Japan, but it didn't make here and in English until last year. Miyazaki didn't direct, but he did have a hand in the script, and this adaptation of the children's novel The Borrowers was tremendous.

21 Jump Street - Funny and raucous, a well-done entry in the sudden onslaught of gross-out comedies.

*The Hunger Games - My son Brennan, a huge fan of the books, was a little harder on this than I was. That said, it was more than OK, less than excellent.

*The Raid: Redemption - A martial arts/police/crime thriller in Indonesian directed by a Welshman. Incredibly intense and exciting.

*The Cabin in the Woods - This was apparently a love or hate movie, and I fell into the love camp. Great gooey fun.


*Beasts of Southern Wild - A revelation, and worth all the hype. Yeah, you're not supposed to like the dad, nor are you supposed to be pleased with the poverty. But instead of viewing it as an apologia (as I heard from a critic on the radio today), view it as a triumph of human spirit.

Bernie - If you haven't seen it you may have trouble processing this, but now that the Oscars have been announced I find myself disappointed that Jack Black did not receive a nomination for Best Actor. Because he really was that good. A better feel-good movie about a murderer you won't find these days.

*The Avengers - Sloppy and sometimes bothersome, but some great characters and chemistry redeemed it.

*Moonrise Kingdom - I love Wes Anderson's stagey presence in his movies, his calm detachment, his quirky characters. But even with all that, this was his warmest movie in years, and it's a damn shame it didn't get any love from the Academy.

*Prometheus - Woof. Listen, you've proven you can run moments after having an emergency C-section, so why can't you just run to the side? What a ridiculous movie. The more I think about it, the angrier I get.

*Brave - Not as light a Pixar movie as some might have it, its family dynamic still suffers a bit in comparison to the real emotion of Up and Wall-E, probably because it ended up feeling more like Disney and the Lessons Required in such movies.

*The Dark Knight Rises - I liked Bane as a character, I liked Catwoman, I liked some of the set pieces, and I was appalled by the not-so-hidden message that the ordinary people can't and shouldn't think and act for themselves.

*Looper - A smart time travel thriller. Quite enjoyable.

*Argo - Yes, there were cars chasing the plane, characters were sometimes composites, and it gave short shrift to the Canadian contribution, but this was still an enjoyable film, and it's surprising how tense I felt considering a knew what was coming.

*Skyfall - Lost me when he rode on the back of the monitor lizard. Would have pulled me back if Sean Connery had played the Scottish gamekeeper, although Albert Finney was perfectly serviceable. But still enjoyable.

*Lincoln - Daniel Day Lewis really is all that and a bag of chips. And the movie itself was wonderful. Yes, I know Spielberg knows how to pull my strings, but if he's going to do it like this, I'm OK with it.

*Life of Pi - The most gorgeous movie I saw last year. Stunning, and more so in 3D. And it made me feel good. Which may sound odd, if you've seen the movie and know my views on god and religion.

*The Hobbit - 3D was not absolutely necessary, but I did see it that way, and in 48fps as well. The sharpness that gave made it feel like I was watching an episode of Planet Middle Earth, waiting for David Attenborough to start narrating at any moment. Enjoyable, but it could have used some editing.

*A Separation (2011, but since it was the very end of the year, I will count it as 2012) - Magnificent and distressing Iranian film about the collapse of a family.

Centurion (2010) - A pretty decent film about Roman soldiers on the run for their lives in ancient Britain.

The Lincoln Lawyer (2011) - Good thriller with Matthew McConaughey.

Midnight in Paris (2011) - I couldn't rave about it as much as others, but I did like this movie. For me, this is closer to a return to form for Woody than some previous outings.

X-Men: First Class (2011) - I'm now at the point where I can honestly say I enjoy a good superhero movie, but can't think of anything to say about them. Overload.

Rise of the Planet of the Apes (2011) - Very good, especially the mocap work by Andy Serkis as Caesar.

Fright Night (2011) - A quite good remake of the original horror flick.

Colombiana (2011) - Dime-a-dozen revenge thriller.

Contagion (2011) - Spooky, and it felt all-too-real. I especially liked how Soderbergh looped it back to the beginning.

Moneyball (2011) - This was a very good movie, which surprised the heck out of my wife.

50/50 (2011) - A movie about cancer that makes you feel good, and doesn't cheat doing it. Well done.

The Ides of March (2011) - As I noted, most people have been saying that 2012 was better than 2011 for movies. But there were a whole lot of movies that were really took you places without requiring stuff blowing up. Tense and interesting and well-acted.

The Descendants (2011) - Another excellent Clooney film.

The Muppets (2011) - And this one was way fun, as well.

*The Artist (2011) - Good. Not worth all of the fuss, I thought, but still fun to watch.

*Tinker Tailor Soldier Spy (2011) - I very much loved this movie, and if I'd been able to see it in the year it was released it would have been on the top of my list. Gary Oldman was a marvel. Watch how calmly he reacts to the bee in the back of the car, and then see the back of his neck in John Hurt's apartment in the next scene.

*Thief of Bagdad (silent, with symphony) (1924) - A fundraiser at our excellent Roxy Theatre, this is the Douglas Fairbanks movie, completely and ridiculously overacted, and every moment was a blast.

*Lawrence of Arabia (1962) - My all-time favorite film, re-released and cleaned right up, on the big screen the way it was meant to be seen. Glorious.

And so on to my Top Ten(ish). Again, only movies from 2012, aside from the odd foreign film that couldn't get here at the original release date.

1. A Separation
2. Beasts of the Southern Wild
3. Lincoln
4. Life of Pi
5. In Darkness
6. Moonrise Kingdom
7. Bernie
8. Argo
9. The Grey
10. The Raid: Redemption/The Cabin in the Woods (tie)

I have seen Django Unchained, but didn't get to the theatre until the new year, so that will have to wait. And I promise to try and be more diligent.

Sunday, November 11, 2012

Lawrence of Arabia (mostly) the way it was meant to be seen

Jo and I went to the theatre to see my all-time movie today, Lawrence of Arabia. For its 50th birthday the film has been given a remarkable facelift, and leading up to its Blu Ray release it has come to movie theatres, what is supposed to be a four hour and seventeen minute event, including the intermission.

I own the movie on DVD, and even though it came out one year before I was born, I was lucky enough to see it on the big screen once before. As noted in the article linked to above, though, the version I saw was not that optimal. Still and all, I felt very lucky to have seen it in a movie theatre at all, and was delighted to be able to again.

There were a couple of issues to note in an otherwise perfect day (aside from the fact that sitting for that long, even with an intermission, apparently gets harder the older I get. Go figure). First of all, the quality of the digital "print" was indeed spectacular, but like pretty much every other digitally-projected movie, it did seem a little dimmer, a little more washed-out than it should have been. Still gorgeous, but not as good as it would have been on film. That said, it wouldn't look anything near as good if it had been on film, so that's a push.

Also, a couple of times in the second half of the movie, there was a slight jump of lost information or else a problem with the projector, a stutter, if you will. I will assume that it might have been a fault with the download process, and that the Blu Ray will be just fine.

When I last saw the movie in a theatre, the screen was the old-style big screen, with a much wider aspect ratio, and with a deep concave curve. The advantage to this, besides getting that immersion that a David Lean epic filmed with 65mm stock deserves, is that wide horizon shots tend to follow the curve (if I recall correctly, and I have to remind you this was a long time ago). On this screen, with no or little curve, the result is the horizon curves instead, making a slight smile of a line. I suspect most people don't even think anything of that, but to me it was a tad disconcerting.

The final problem is the funniest, and also the saddest. When the movie starts (and the same after the intermission) there is a five minute overture with a black screen and music playing. No surprise, the people who work at the theatre had no idea that this was the case, and a couple of times tried to start it and then stopped it so they could fix the "problem." Finally, someone pointed out the error to the young employee who came in to explain the situation to us and we actually got to watch the movie.

Problems aside, this is still a great movie, one that deserves to be seen on as big a screen as you can find. I know it plays once more here in Saskatoon, on November 14, and if you can spare the time and can manage to lengthy sit-down, I strongly recommend it. The bonus for that is it should end a few minutes sooner than it did today, since the staff are hopefully all going to be aware of how the movie starts.

Saturday, September 15, 2012

Late News Hits Just As Hard

I know that relying on social media and parents is a flawed policy for finding out about news in a timely fashion, but how is it that today I find out that Brad Greenwood (a former boss and an important part of the indie book retailer scene in Western Canada) died on July 19? Really, this makes me question the value of FB and the like even more: I have friends (and family) in Edmonton who must have known about this, who surely can't have forgotten that I worked at Greenwoods' in the 1980s. So either some of them posted something but it went by so fast I never saw it, or they didn't post at all, but either way it's frustrating.

We shouldn't have to rely on something like FB or Twitter to update us on the news, good and bad, that hits our lives. We should, however, know that sometimes we need to pick up the phone, or even send along a direct email, for crying out loud. It may indeed be difficult to remember who is connected with each other, I understand this, but the inability to move forward when that lack of conviction hits you is a sad thing.

Or am I just spitting into the wind here? When a friend's father died not long ago, I made the effort to contact the mutual friends who I know would have wanted to hear the news. Some were contacted via phone, others by email, which while less personal is still at the very least direct.

Facebook and Twitter are useful, yes, but I believe they have demeaned the very meaning and value of contact in our lives. Nobody phones anymore (well, nobody phones me, and maybe it's because I'm turning into this crotchety old man who shakes his fist at kids these days. The data is inconclusive), and so if I want to talk with anyone it's me who almost always picks up the phone.

This saddens me, and the news of Brad's death coming so late just adds to the pile-on.

Wednesday, September 12, 2012

Making Changes In Consideration of My Mental Health

I am finding that certain aspects of social media (primarily Facebook, but some Twitter as well. Google+, not so much, since I barely go there) are really starting to get under my skin, to the extent that I'm having sleep problems and certain other issues, and so I thought I would lay out some thoughts about what I need to do to take care of myself. The end result will likely mean I am going to thin the herd, on Facebook at least, but such is life in the digital age.

But first, I need to lay out some ground rules:

1. If you and I disagree about politics or religion, but you post on your own wall, I have no problem with that, and hopefully you don't have one with me doing the same. If you choose to disagree with something I have posted on my own wall or Twitter feed and can manage to do so respectfully, then we can stay friends. If you can't, then I will pull the plug. No warning.

2. The exception to that is if you post something that is so over the top offensive that I can't find any justification for keeping you around. The most recent example is the putz who wished that Chris Brown would smack Rhianna back to where she was with her first album. Sorry, jokes about abusing women don't get a pass from me. Announcing you're sure a specific group of people are going to Hell for not behaving as you do is another way to lose me.

3. If you're a hypocrite, I may end up walking away as well, no muss, no fuss. I get to decide what makes a hypocrite in my mind. Which, ironically, could strike some as hypocritical. But there it is. Some hypocritical action (or rather, inaction) is going on on Twitter right this moment, actually, and I suspect if I don't see anybody step out and address the issue I'll say something and then stop following several people. Some of whom I know.

4. If you complain that I am posting too much about something to do with my life and/or my family, then obviously you've lost track of the "defriend" function, and therefore I will take care of that option for you. I am on social media partly because I am an author (see next point), but I am also largely here because of family and friends, and because we live far away from most of them, and they wish to know about what's happening with my family.

5. I'm a writer, and am therefore aware of the need for self promotion, but I tire of much of what passes for self promo on the web these days. When I have a book come out, I announce it. When good news comes regarding the book (big sales, great reviews, etc.), I announce that. If it's up for an award, or eligible for one, I may post a reminder about it. But here's what I won't do: I won't send a broadcast message asking you to buy my book; I won't do the same asking you to specifically nominate my book; I won't target you with a specific message asking any of those same favors; I won't expect you to buy my book just because I bought yours; and I won't by yours just because you bought mine.

Why? Because it all creates undue and unfair pressure. I know I could just choose to ignore any of these things, but it's not that easy. Human nature steps in and takes over in different ways for each of us, and while I can go a long time without getting uptight about any of these things, eventually I turn into a pressure cooker and feel like I'm about to explode. It's easier to just remove the problem at the beginning.

I also doubt that I will join groups that I am invited to become a part of. There may be exceptions, but it's just stuff to clutter up my email inbox, and again, it's a subtle pressure to belong, not to something that's about us, but more about you. Because it's you who posts, it's you who gives me the latest scoop. And I think, if we're friends, then I already get that elsewhere.

When I started thinking about this, I initially thought it would be easier to get rid of people who are FB friends or Twitterers and whom I only know online. But the more I thought about it, the more I realized that wasn't the case. I have two FB friends who approached me because of something I said or because we had a mutual friend, Chris Kaboombee Winchester and Ed Otter, who both post interesting stuff that doesn't lay anything heavy on me (Chris was an extra for The Hobbit! How cool is that?). I enjoy reading their updates, and am happy when my other friends are also interesting instead of relentless.

I know, I know. Mea culpa and all that. I've often been relentless, and I am sure quite irritating. I'll still have things to say, but I do promise to not be so overbearing. I hope. But in the meantime, understand that if any of this happens online, it does not necessarily mean things are bad in real life. I still hang with people at conventions, even if I don't follow them online. Aside from the putzes, of course.


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